Some of The Blurbs.
"Liam Guilar’s epic book Anhaga consits of two halves directly related to each other. In the first we see a murder - a sex crime - enacted on several levels moving between children’s stories, through hard-boiled detective fiction, tough realism and slasher movies. The central voice, beset with loneliness - exile as the poem has it -- and frustration shape-shifts between its various literary and mythical contexts, but is always at the edge of explosive violence. In the second we sail far closer to myth with the figures of Heledd and Nemain. Basil Bunting’s Briggflats haunts the book. The blend of sensational fiction and high literary ambition make Anhaga an extraordinary poetic experience." -- George Szirtes, The Burning of the Books and Other Poems, Bloodaxe, 2009
"One of the most original and yet utterly accessible books I've read. I'm immediately taken in by the colloquial language; I’m made to feel welcomed and at ease. And yet, within the first couple of poems it becomes clear that, while the language may well be colloquial and what's going on in these poems may ‘feel’ familiar, there is absolutely NOTHING ‘ordinary’ about them! What a fabulous book." -- John L. Stanizzi, After the Bell, Big Table Publishing, 2015
"Anhaga is both erudite and up-to-the-minute, in a wild mix of styles that recalls at times the verbal trickery of Joyce and at times the pangs of the Old English lyric, and with a plot that keeps us reading and guessing." -- Maryann Corbett, Mid-Evil, University of Evansville Press, 2015
"In an atmosphere of alienation, bereavement and inching menace, the lone protagonist(s) of Liam Guilar's fifth book struggle with questions of identity, urges borne of lust/desperation and the futility of self-actualization. The ordinary is pitted against the iconic and majestical in this strange and unsettling book." -- Alexandra Oliver, Meeting the Tormentors in Safeway, Biblioasis 2013